Appendix

Table of Contents

A. Unfinished and fragmentary works

[Untitled sketches are not discussed here, but detailed surveys may be found in RL and RT.1986]

Stage music

  • DCW A 1: Zanoni (1888), RT I/1

    GB-Lbl MS Mus. 1745/1/39 contains short-score sketches of incidental music for a dramatization (also by Delius) of Bulwer Lytton's novel Zanoni (1842). Detailed descriptions of the sketches are given in RT, 19, and RL, 134-7.

  • DCW A 2: Endymion (1892)

    When completing Irmelin [DCW 1], Delius discussed collaborating on an opera about the Greek mythological figure Endymion with the English writer Richard Le Galliene. Fragmentary sketches are extant in GB-Lbl MS Mus. 1745/2/10 and GB-Lbl MS Mus. 1745/2/11/2.

Concerto

  • DCW A 3: Légendes (Sagen) for piano and orchestra (1890), RT VII/2

    GB-Lbl MS Mus. 1745/1/39 contains an autograph pencil draft score. According to Threlfall, the piano part, a series of variations, is almost complete, but the orchestral accompaniment is fragmentary. A further portion of this score is extant in GB-Lbl MS Mus. 1745/2/13/4. Published London: Boosey & Hawkes, 1997, Complete Edition, supplementary vol. 4. See RL, 138-9, and RT, 162.

  • DCW A 4: Rhapsody for piano and orchestra (early twentieth century), RT VII/4(a)

    GB-Lbl MS Mus. 1745/2/13/5 contains extensive sketches and an incomplete draft pencil score of this work. Published London: Boosey & Hawkes, 1997, Complete Edition, supplementary vol. 4. For further discussion see RT.1986, 95.

Other Orchestral Music

  • DCW A 5: Rhapsodische Variationen für grosses Orchester (1888), RT VI/3

    GB-LBl MS Mus. 1745/1/3 contains the unfinished autograph full score in ink over pencil and pencil. Published London: Boosey & Hawkes, 1997, Complete Edition, supplementary vol. 4.

  • DCW A 6: Petite Suite d’Orchestre no. 1 (1889), RT VI/6

    This work is extant in manuscript in GB-Lbl MS Mus. 1745/2/1, consisting of five movements: Marche, Berceuse, Scherzo, Duo, and Tema con Variazione. The ‘Marche’ was revised and rescored to become the Marche Caprice (DCW 21).

  • DCW A 7: Marche Française (1890), RT VI/6(b)

    GB-Lbl MS Mus. 1745/2/1 contains the unfinished autograph score. There is no published version and no known performances have taken place.

  • DCW A 8: A L’Amore (A L’Aurore?) (?1890), RT VI/8

    Sections of this incomplete orchestral work in B major are found in GB-Lbl MS Mus. 1745/1/39 and 1745/2/10.

  • DCW A 9: Summer Night (Lyse Nœtter) (?1891)

    A brief ink draft and pencil short score for a symphonic poem on the title of the poem variously set by Delius for voice and piano and voice and orchestra is extant in GB-Lbl MS Mus. 1745/2/10. The draft is headed ‘Summer night (Lyse Nœtter / Symphonic Poem’.

  • DCW A 10: On the Moors/Impressions of Nature (?between mid-1890s and c. 1910)

    GB-Lbl 1745/1/39 and 1745/2/9 contain sketches for an ultimately unfinished work. A title page in 1745/1/39 indicates that Delius was considering various titles, including ‘Impressions’, ‘Summer morning on the moors’ and ‘Summer Morning’. As described by Lowe and Threlfall, the work shows the influence of some material from Over the Hills and Far Away (DCW 27). In turn, this material influenced depictions of moorland in summer in Fennimore and Gerda , and possibly The Song of the High Hills and North Country Sketches (see RL, 146-7, RT.1986, 39 and 181).

Chamber Music

  • DCW A 11: String Quartet (1888), RT VIII/1

    GB-LBl MS Mus. 1745/1/35 contains an incomplete autograph score of this work, missing the first movement and most of the second movement. Movements 3 and 4 have been published as Two movements from the early string quartet, ed. Robert Threlfall (London: Stainer & Bell, 1999).

B: Miscellaneous compositions not regarded as works

Chamber music

  • DCW B 1: Romance for violin and piano (1889), RT VIII/2

    This early work remained unpublished and unperformed in Delius’s lifetime, only reaching print in the Collected Edition. Lowe writes that this is ‘an undistinguished salon piece, in which Delius can still be seen to be struggling to provide movement in the bass with small success, and there is little or no interaction between the stodgy accompaniment and the soloist’ (RL, 111). The autograph score is extant in GB-Lbl MS Mus. 1745/1/35, bearing a dedication to Fred Hertz. Published in vol. 31a of the Collected Edition, Early Works for Violin and Piano, ed. Robert Threlfall (London: Boosey & Hawkes, 1987).

Keyboard music

  • DCW B 2: Pensées Mélodieuses (1885), RT IX/2

    GB-Lbl MS Mus. 1745/2/5 contains a fair copy in ink of No. 2, dated June 10 1885, meticulously edited. No other movements have survived. Published in Works for Piano Solo, ed. Robert Threlfall (London: Boosey & Hawkes, 1988).

  • DCW B 3: Badinage (date unknown: 1890s), RT IX/4

    This short piece is unpublished, but with a reasonably full surviving set of manuscript sources: i) one folio of notes, GB-Lbl MS Mus. 1745/2/11/3; ii) two pages of autograph sketches, GB-Lbl MS Mus. 1745/1/39; iii) autograph draft score, GB-Lbl MS Mus. 1745/2/5; iv) fair copy in the hand of an unknown copyist, GB-Lbl MS Mus. 1745/1/35. Published in Works for Piano Solo, ed. Robert Threlfall (London: Boosey & Hawkes, 1988).

  • DCW B 4: Two Piano Pieces (1889-91), RT IX/5

    RT identifies an autograph in the Moldenhauer Archive, Library of Congress (RT, 188). Published in Works for Piano Solo, ed. Robert Threlfall (London: Boosey & Hawkes, 1988).

    1: Valse. GB-Lbl MS Mus. 1745/1/35 contains a 48-bar piece, headed 'Valse|Frederick Delius|Croissy 1891|(finished Grez 1922)’ in the hand of Jelka Delius, indicating the fact that the original Valse was revised in 1922 for inclusion in Five Piano Pieces (DCW 55).

    2: Rêverie. MS Mus. 1745/1/35 also contains an incomplete pencil copy of this piece in the hand of Jelka Delius.

Unaccompanied voices

  • DCW B 5: ‘Oh! Sonnenschein’ (1886-7), RT IV/1

    This song, on verses by Robert Reinick, is extant in autograph in GB-Lbl MS Mus. 1745/1/36, and in draft form in a notebook (Notebook I) now held by Jacksonville University. Published in Frederick Delius, Six Early Part-Songs, English singing-versions by Lionel Carley, ed. Robert Threlfall (London: Thames Publishing/Delius Trust, 1994).

  • DCW B 6: ‘Durch den Wald/von Schreck’ (1886-7), RT IV/1

    Extant in GB-Lbl MS Mus. 1745/1/36. Performed 11 January 1974, London, St John’s Smith Square; The Linden Singers, cond. Ian Humphris. Published in i) Frederick Delius, Three Early Part-Songs for Unaccompanied Chorus, English singing-versions by Lionel Carley, ed. Ian Humphris (London: Thames Publishing, 1977); ii) Six Early Part-Songs, English singing-versions by Lionel Carley, ed. Robert Threlfall (London: Thames Publishing/Delius Trust, 1994).

  • DCW B 7: ‘Ave Maria’ (March 1887), RT IV/1

    Like DCW A 15, this song is extant in autograph in GB-Lbl MS Mus. 1745/1/36, and in draft form in a notebook (Notebook I) now held by Jacksonville University. Published in Frederick Delius, Six Early Part-Songs, English singing-versions by Lionel Carley, ed. Robert Threlfall (London: Thames Publishing/Delius Trust, 1994).

  • DCW B 8: ‘Sonnenscheinlied/Björnsen’ (?1887), RT IV/1

    Again, like DCW A 15, this song is extant in autograph in GB-Lbl MS Mus. 1745/1/36, and in draft form in a notebook (Notebook I) now held by Jacksonville University. Performed 11 January 1974, London, St John’s Smith Square; The Linden Singers, cond. Ian Humphris. Published in i) Frederick Delius, Three Early Part-Songs for Unaccompanied Chorus, English singing-versions by Lionel Carley, ed. Ian Humphris (London: Thames Publishing, 1977); ii) Six Early Part-Songs, English singing-versions by Lionel Carley, ed. Robert Threlfall (London: Thames Publishing/Delius Trust, 1994).

  • DCW B 9: ‘Frühlingsanbruch/Björnsen’ (?1887), RT IV/1

    Actually to a text by Carl Andersen (RT.1986, 48), this song is extant in autograph in GB-Lbl MS Mus. 1745/1/36, and in two draft settings in Notebook II, Grainger Museum, Melbourne, AUS-PVgm MG C2/DELI-23-1 (see RT, 83). Performed with DCW A 16 and DCW A 18 on 25 June 1977, Derwent Singers, cond. Barrie Simms. Published in i) Frederick Delius, Three Early Part-Songs for Unaccompanied Chorus, English singing-versions by Lionel Carley, ed. Ian Humphris (London: Thames Publishing, 1977); ii) Six Early Part-Songs, English singing-versions by Lionel Carley, ed. Robert Threlfall (London: Thames Publishing/Delius Trust, 1994).

  • DCW B 10: ‘Her ute skal gildet staa (Here we shall feast)’ (1891), no RT catalogue number

    Setting of words by Ibsen from Act II Scene 8 of his play Gildet paa Solhaug. This song does not appear in Threlfall’s catalogue, but has since been incorporated into the Collected Edition. Extant in autograph draft in GB-Lbl MS Mus. 1745/1/36 (entitled ‘Herude, herude skal gildet stå’). Published in Six Early Part-Songs, English singing-versions by Lionel Carley, ed. Robert Threlfall (London: Thames Publishing/Delius Trust, 1994).

  • DCW B 11: ‘Other the Mountains High’ (1885), RT V/2

    Setting of ‘Over de høje Fjælle’ by Bjørnstjerne Bjørnson, source of English translation unknown. Extant in GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in facsimile in RL, 116-17 and in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 12: ‘Zwei Bräune Augen’ (1885), RT V/3

    Setting of ‘Hjertets Melodier/I: To brune Øjne’ by Hans Christian Andersen, translated into German by W. Henzen. Autograph manuscript in the Moldenhauer Archive, Spokane, Washington, USA. No publication or known performances in Delius’s lifetime. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 13: ‘Der Fichtenbaum’ (1886), RT V/4

    Setting of Heinrich Heine, Lyrisches Intermezzo XXXIII, ‘Ein Fichtenbaum steht einsam’. Extant in GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 14: ‘Hochgebirgsleben’ (1888), RT V/6

    Setting of L. Passarge’s German translation of the first two stanzas of Ibsen’s poem ‘Høifjeldsliv (1859). Manuscript (German words only): GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 15: ‘Chanson de Fortunio’ (1889), RT V/8

    Setting of Alfred de Musset’s Le Chandelier, Act II Scene 3. Manuscript (French words only): GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 16: ‘Skogen gir susende, langsom besked’ (1890-1), RT V/10

    Setting of ‘I Skogen’ by Bjørnstjerne Bjørnson. Manuscript: autograph score, Norwegian words only, in GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in Frederick Delius, Four Posthumous Songs, German translation by Karl Götz, English translation by Lionel Carley (Wien: Universal, 1981), published as supplement to vols. 18-19 of the Collected Edition (London: Universal, 1994).

  • DCW B 17: ‘Mit deinen blauen Augen’ (?1890-1), RT V/11

    Setting of Heinrich Heine, ‘Neue Frühling’, Neue Gedichte XVIII. Manuscript: autograph score in GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 18: ‘Ein schöner Stern geht auf in meiner Nacht’ (?1890-1), RT V/11

    Setting of Heinrich Heine’s poem of the same name, Neue Gedichte, Verschiedene, Katharina, I. Manuscript: autograph score in GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 19: ‘Hör ich das Liedchen klingen’ (1890-1), RT V/11

    Setting of Heine’s poem of the same name, Buch der Lieder, Lyrisches Intermezzo, XL. Manuscript: autograph score in GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 20: ‘Aus deinen Augen fliessen meine Lieder’, (?1890-1), RT V/11

    Not by Heine; author unknown. Manuscript: score in a copyist’s hand in GB-Lbl MS Mus. 1745/1/36. No publication or known performances in Delius’s lifetime. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 21: ‘Jeg havde en nyskaaren seljefløjte’, (1892-3), RT V/14

    Setting of lines by Vilhelm Krag. Manuscript: autograph score, Norwegian words, in GB-Lbl MS Mus. 1745/1/36. Published in Frederick Delius, Four Posthumous Songs, German translation by Karl Götz, English translation by Lionel Carley (Wien: Universal, 1981), published as supplement to vols. 18-19 of the Collected Edition (London: Universal, 1994).

  • DCW B 22: ‘Nuages’ (1893), RT V/15

    Setting of lines by Jean Richepin. Manuscript: autograph score, French text only, GB-Lbl MS Mus. 1745/1/36. Copy, probably in the hand of Jutta Bell, Jacksonville University (see RT, 108). Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 23: ‘Pagen højt paa taarnet sad’/‘The Page sat in the lofty Tower’ (?1895), RT V/17

    Setting of lines by Jens Peter Jacobsen. Manuscript: autograph score, Danish and English words, GB-Lbl MS Mus. 1745/1/36, with an early draft in GB-Lbl MS Mus. 1745/2/6. Published as no. 1 of ‘Five Songs from the Danish’ in Ten Songs (London: Galliard, 1973), English text only, and in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 24: ‘Traum Rosen’ (?1898), RT V/18

    Setting of words by Marie Heinitz. Manuscript: autograph score and copyists’ score, GB-Lbl MS Mus. 1745/1/36. Published in vol. 18a of the Collected Edition: Frederick Delius, Twenty-Two Songs with Piano (London: Stainer & Bell, 1987).

  • DCW B 25: ‘Noch ein Mal’ (?pre-1898)

    Setting of lines form ‘Das trunkene Lied’ from Nietzsche’s Also sprach Zarathustra, for bass voice and piano. Undated, but Jelka Delius indicated that this represented the earliest form of the music that became the Mitternachtslied Zarathustras and the closing chorus of Eine Messe des Lebens. Manuscript: copyist’s ink score in GB-Lbl MS Mus. 1745/2/6. Published in vol. 18b of the Collected Edition: Frederick Delius, Sixteen Songs with Piano (London: Boosey & Hawkes, 1987).

  • DCW B 26: ‘Vi lo jo før saa laenge’/‘Im Glück wir lachend gingen’/‘In bliss we walked with laughter’ (?1895/1898), RT V/20

    Setting of Holger Drachmann, ‘Vi lo jo før saa laenge’, Ungdom i Digt og Sang, Sange til en Søster, 9. German translation by Jelka Delius and English translation by Addie Funk. Manuscript: untraced. Published in Frederick Delius, Four Posthumous Songs (Wien: Universal, 1981), published as supplement to vols. 18-19 of the Collected Edition (London: Universal, 1994).

  • DCW B 27: ‘Jeg hører i Natten’ (1901), RT V/23

    Setting of lines by Holger Drachmann from Ungdom i Digt og Sang, Sange til en Søster, 3. Manuscript: pencil draft in GB-Lbl MS Mus. 1745/2/11/5; Autograph score in GB-Lbl MS Mus. 1745/1/36, set in German with English translation added by Jelka Delius. The German words, also in Jelka’s hand, are pasted down, possibly over the original Danish words in Delius’s hands (see British Library source record). Published in Frederick Delius, Four Posthumous Songs (Wien: Universal, 1981), published as supplement to vols. 18-19 of the Collected Edition (London: Universal, 1994).

  • DCW B 28: ‘Summer Landscape’/‘Sommer Landschaft’/‘Sommer i Gurre’ (1902-1903), RT V/24

    Setting of Holger Drachmann’s ‘Sommer i Gurre’ (1876) from Ungdom i Digt og Sang. Manuscript: sketches of the original Danish setting in GB-Lbl MS Mus. 1745/2/6; also the autograph of Delius’s orchestral arrangement. The autograph of the Danish setting, and copies in the hand of Jelka Delius variously including the Danish, English and German words are in GB-Lbl MS Mus. 1745/1/36. Pianoforte version: published by Oxford University Press, English words only, 1952; included in vol. 19 of the Collected Edition: Frederick Delius, Nineteen Songs (Oxford: Oxford University Press, 1987). Orchestral version published in vol. 15a of the Collected Edition: Songs with Orchestra, part 1 (London: Stainer & Bell, 1987).

  • DCW B 29: ‘They are not long, the weeping and the laughter’ (1906)

    Setting of words by Ernest Dowson for soprano and piano. An early attempt at setting the verses that became the closing section of Songs of Sunset. Manuscript: copy in the hand of Jelka Delius in GB-Lbl MS Mus. 1745/2/6. Published in vol. 18b of the Collected Edition: Frederick Delius, Sixteen Songs with Piano (London: Boosey & Hawkes, 1987).

C: Doubtful and spurious works

  • Three Pieces for String Orchestra, RT VI/4 (1888).

    Delius wrote to Grieg of the composition of such a piece c. October 1888 (LC I, 17-18), but no manuscript that can be positively identified is extant. Threlfall describes the ‘MS score of a piece for strings, 1888’ on the Beecham Library list, which did not appear in the Beecham accession to the Delius Trust (RT, 127 and RT.1986, 70).

  • String Quartet, RT VIII/4 (1892-3).

    Fenby, Beecham, and Heseltine all make reference to quartets other than the fragmentary 1888 work and the published quartet of 1916, with some indication of a work composed around 1892. Nevertheless, only fragmentary sketches remain in GB-Lbl 1745/1/39 and 1745/2/10 (see RT, 175; RT.1986, 101).

  • ‘Lorelei von H. Heine’, RT IV/1 (?1885).

    This song is collected together with other part-songs to German texts in GB-Lbl 1745/1/36, yet is distinct in its hand-ruled staves, use of German Schrift, and style of clefs and time-signatures, from any other Delius manuscript. It is certainly not a Delius autograph, and possibly not authored by the composer (see RT, 83; RT.1986, 48).

  • ‘When other lips shall speak’, RT V/1 (c. 1880).

    No known autograph; likely an arrangement or transcription, not an original composition (see RT.1986, 52).

D: Arrangements of Delius' works by other composers

  • DCW 1: Irmelin
    • Concert Suite from the opera, edited and arranged by Sir Thomas Beecham, full score published: London: Boosey & Hawkes, 1955.
    • included in Scenes from the operas as arranged for the piano by Maurice Ravel and Florent Schmitt, selected and introduced by Robert Threlfall (London: Delius Trust, 1995).
  • DCW 3: Koanga
    • La Calinda , dance from the opera Koanga by Frederick Delius,
      • arranged for orchestra by Eric Fenby; manuscript: GB-Lbl ; published: [S.I.]: Boosey & Hawkes, 1938.
      • arranged for two pianos by Joan Trimble, [S.I.]: Boosey & Hawkes, 1947.
      • piano reduction by Harold Perry, London: Boosey & Hawkes, 1949.
      • arranged for flute and piano by Eric Fenby, London: Boosey & Hawkes, 1978.
      • arranged for flute, oboe and string orchestra by Eric Fenby, modified by Robert Threlfall, London: Boosey & Hawkes, 1998.
      • arranged for string quartet by Carlo Martelli, Dover: Broadbent & Dunn, 2004.
      • arranged for wind nonet by Arthur Campbell, Lancaster: Phylloscopus Publications, 2006.
    • Intermezzo from Koanga , arranged for reduced orchestra by Stanford Robinson, unpublished, BBC MS (see RT, p. 31).
    • Closing Scene from Koanga , arranged by Thomas Beecham, unpublished but extant in historical recordings, for example Naxos 8.110982-83.
    • Creole dance from Koanga, arranged for cello and piano by Christopher Palmer, London: Thames Publishing, 1995.
  • DCW 4: A Village Romeo and Juliet
    • Intermezzo from A Village Romeo and Juliet, ‘The Walk to the Paradise Garden’
      • arranged for piano solo [extract from Lindemann’s vocal score issued separately], [S.I.]: Universal, 1931 (see RT/1986, p/ 26).
      • arranged for concert orchestra by Keith Douglas, [S.I.]: Universal, 1934.
      • original orchestration, edited by Sir Thomas Beecham; copyist’s manuscript full score: GB-Lbl ; published: [arranged by Sir T. Beecham], [S.I.]: Boosey & Hawkes, 1940.
      • arranged for piano solo by Harold Perry, [S.I.]: Boosey & Hawkes, 1950.
      • arranged for organ by Gregory Murray, Rattlesdon: Kevin Mayhew, 1992.
    • Waltz [fairground music from Scene 5], arranged for concert orchestra by Keith Douglas, [S.I.]: Universal, 1939.
    • Wedding Music from the opera […] arranged for mixed voices and organ by Eric Fenby, published in Three choral arrangements for mixed choir, London: Thames Publishing, 1994.
    • Romeo and Juliet , a ballet by Anthony Tudor, Ballet Theatre, Metropolitan Opera House, New York, 6 April 1943. The music consists of ‘The Walk to the Paradise Garden’, Over the Hills and Far Away (DCW 27), Eventyr, Irmelin Prelude, and Brigg Fair.
  • DCW 5: Margot la Rouge
    • included in Scenes from the operas as arranged for the piano by Maurice Ravel and Florent Schmitt, selected and introduced by Robert Threlfall (London: Delius Trust, 1995).
  • DCW 6: Fennimore and Gerda
    • Intermezzo from Fennimore and Gerda, based on the preludes to scenes 10 and 11.
      • arranged for full orchestra by Eric Fenby; manuscript and Stichvorlage: GB-Lbl ; published London: Boosey & Hawkes, 1945.
      • arranged for flute, oboe, and piano by Eric Fenby, published Ampleforth: Emerson Edition, 1988.
      • piano version by Otto Lindemann of Fenby’s arrangement, included in Five Piano Arrangements, published London: Thames Publishing, 1994.
    • Two Interludes for oboe and string quarter, arranged by Eric Fenby, 1977;
      • arranged for oboe and piano by Eric Fenby; published London: Boosey & Hawkes, 1980.
  • DCW 8: Hassan
    • Serenade from Hassan
      • arranged for solo piano [based on Philip Heseltine’s piano score], [S.I.]: Universal, 1923.
      • arranged for violin and piano by Lionel Tertis, [S.I.]: Universal, 1923.
      • arranged for solo cello and chamber orchestra by Eric Fenby, 1929 for the cellist Beatrice Harrison; manuscript: GB-Lbl .
      • arranged for cello and piano by Eric Fenby, Wien, Leipzig: Universal, 1931; London: Boosey & Hawkes, 1939.
      • arranged for organ by Eric Fenby, Wien, Leipzig: Universal, 1934.
      • arranged for viola and piano by Lionel Tertis [1934], included in A Lionel Tertis album: concert pieces for viola and piano, ed. John White (London: Josef Weinberger, 2006).
      • arranged for clarinet and piano by Pamela Weston, Corby: Fentone Music, 1986.
      • arranged for string quartet by John Kember, London: Schott, 2006.
    • Suite from Hassan
      • arranged for full orchestra by Eric Fenby, 1931; manuscript: GB-Lbl ; unpublished.
    • Intermezzo and Serenade from Hassan
      • arranged for orchestra by Thomas Beecham, 1940; manuscript: GB-Lbl ; London: Boosey & Hawkes, 1940.
  • DCW 9: Suite for Violin and Orchestra
    • arranged for violin and piano by Robert Threlfall, London: The Delius Trust, 1996.
  • DCW 12: Double Concerto for Violin, Violoncello and Orchestra
    • arranged for violin, violoncello and piano by Philip Heseltine, 1915; manuscript: GB-Lbl ; London: Augener: 1920; Stainer & Bell, 1987.
    • arranged for violin, viola and piano by Lionel Tertis (retaining Heseltine’s piano arrangement); manuscript: GB-Lbl ; London: Augener, 1935.
  • DCW 13: Violin Concerto
    • arranged for violin and piano by Philip Heseltine, 1919; manuscript: GB-Lbl ; London: Augener, 1919; Stainer & Bell, 1976.
  • DCW 14: Concerto for Violoncello and Orchestra
    • arranged for cello and piano by Philip Heseltine, 1923; manuscript: GB-Lbl ; London: Universal Edition, 1923. Reissued, 1935, with new edition of the solo part by Herbert Withers. Transferred to Boosey & Hawkes in 1952 and reissued with the original and new cello parts.
  • DCW 15: Caprice and Elegy for Violoncello solo and chamber orchestra
    • arranged for cello and piano by Eric Fenby; manuscript: GB-Lbl ; London: Boosey & Hawkes, 1931, with solo part edited by Herbert Withers.
    • arranged for viola and piano by Lionel Tertis; London: Boosey & Hawkes, 1934.
  • DCW 23: Winter Night (Sleigh Ride)
    • arranged for piano solo by Robert Threlfall, ‘Sleigh Ride’ in Frederick Delius: Album of Pianoforte Solos, London: Boosey & Hawkes, 1977.
  • DCW 31: Brigg Fair: An English Rhapsody
    • arranged for two pianos by Philip Heseltine (c. 1911); manuscript: GB-LBl ; London: Delius Trust, 1996.
    • arranged for piano duet by Dagmar Juhl; [S.I.]: Universal: F.E.C. Leuckart, 1911.
    • arranged for string quartet by John Kember (abridgment); London: Schott, 2006.
    • arranged for solo piano by Alan Rowlands; unpublished (see RT, 140).
  • DCW 32: In a Summer Garden
    • arranged for solo piano by Philip Heseltine; manuscript: The Delius Trust, Accession 208/2; published: London: Thames Publishing, 1982.
    • arranged for piano duet by Philip Heseltine (1912-13); edited for publication by Robert Threlfall, [S.I.]: Universal, 2002.
    • arranged for two pianos by William L. Reed, unpublished (see RT.1986, 83).
    • arranged for solo piano by Alan Rowlands; unpublished (see RT, 143).
  • DCW 33: A Dance Rhapsody [no. 1]
    • arranged for piano (four hands) by Philip Heseltine (1913); manuscript: The Delius Trust, vol. 45; edited for publication by Robert Threlfall, [S.I.]: Universal, 2002.
    • arranged for two pianos by Percy Grainger (1922); manuscript: GB-Lbl ; Wien: Universal, 1923.s
  • DCW Coll. 3: Two Pieces for Small Orchestra
    • arranged for piano solo by Gerard Bunk; Cologne: Tischer & Jagenburg, 1914 (transferred to Oxford University Press in 1930).
    • arranged for piano duet by Philip Heseltine; London: Oxford University Press, 1931.
  • DCW 35: On Hearing the First Cuckoo in Spring
    • arranged for piano solo by Philip Heseltine; manuscript: The Delius Trust, Accession No. 208/1; London: Thames Publishing, 1982.
    • arranged for brass band by Philip Heseltine (1928), published: London: Oxford University Press, 1976.
    • arranged for organ by Eric Fenby, published: London: Oxford University Press, 1934.
    • arranged for two pianos by R. Schmidt-Wunstorf, published: London: Oxford University Press, 1952.
    • arranged for wind band by Cecil Effinger, published: New York: Oxford University Press, 1969.
  • DCW 36: North Country Sketches
    • arranged for piano duet by Philip Heseltine; manuscript: GB-Lbl ; London: Augener, 1922.
  • DCW 37: Air and Dance for String Orchestra
    • arranged for piano solo by Percy Grainger; manuscript: whereabouts unknown; unpublished.
    • arranged for piano solo by Eric Fenby, published: London: W. Rogers, 1931, included in Album of Pianoforte Solos (London: Boosey & Hawkes, 1978).
    • arranged for flute and piano, or flute and strings, by Eric Fenby for James Galway (1976), published: London: Boosey & Hawkes, 1977.
  • DCW 38: A Dance Rhapsody No. 2
    • arranged for piano duet by Philip Heseltine (1921); manuscript: GB-Lbl; London: Augener, 1922.
    • arranged for piano solo by Robert Threlfall, published: London: Thames Publishing, 1988.
  • DCW 39: Eventyr
    • arranged for piano duet by B. J. Dale, published: London: Augener, c. 1921.
  • DCW 40: A Song before Sunrise
    • arranged for piano duet by Philip Heseltine; manuscript: GB-Lbl; London: Augener, 1922.
    • arranged for piano solo by Alan Rowlands, unpublished.
    • arranged for organ by Eric Fenby, unpublished.
    • arranged for piano solo by Eric Fenby, published: London: Thames Publishing, 1982.
  • DCW 41: Poem of Life and Love
    • arranged for two pianos by H. Balfour Gardiner, completed by Eric Fenby, 1928, prepared for publication by Robert Threlfall; manuscript: GB-Lbl; London: Boosey & Hawkes/Delius Trust, 1992.
  • DCW 42: A Song of Summer
    • arranged for two pianos by Eric Fenby, 1929; manuscript: GB-Lbl.
  • DCW 43: Irmelin Prelude
    • arranged for solo piano by Eric Fenby; manuscript: GB-Lbl, published: London: Winthrop Rogers, 1938, and in Frederick Delius, Album of Pianoforte Solos, London: Boosey & Hawkes, 1978.
    • arranged for organ by Eric Fenby; manuscript: GB-Lbl, published: London: Winthrop Rogers, 1938.
  • DCW 44: Fantastic Dance
    • arranged for two pianos by Ethel Bartlett and Rae Robertson, published: London: Winthrop Rogers, 1936.
  • DCW 48: Sonata for Violoncello and Piano
    • arranged for viola by Martin Outram, published: London: Boosey & Hawkes, 2011.
  • DCW 49: String Quartet
    • ‘Late Swallows’ arranged for piano solo by Eric Fenby; manuscript: Delius Trust Acc. 210, published: London: Thames Publishing, 1982.
    • arranged for string orchestra by Eric Fenby; ‘Late Swallows’ only published: London: Galliard, 1963; published complete as ‘Sonata for String Orchestra London: Stainer & Bell, 1978.
  • DCW 50: Sonata No. 2 for Violin and Pianoforte
    • arranged for viola and piano by Lionel Tertis, published: London: Hawkes & Son, 1932.
  • DCW 51: Sonata No. 3 for Violin and Pianoforte
    • arranged for viola and piano by Lionel Tertis, published: London: Hawkes & Son, 1932.
  • DCW 52: Dance for Harpsichord
    • arranged as ‘Dance’ for flute and strings by Eric Fenby, 1978, unpublished.
  • DCW 54: Five Piano Pieces
    • arranged for orchestra by Eric Fenby, 1964, unpublished.
  • DCW 60: ‘Irmelin Rose’
    • arranged for eight-part chorus of mixed voices, a cappella, by Ernest Lubin, published in Frederick Delius, Three Choral Arrangements for Mixed Choir: London: Thames Publishing, 1994.
  • DCW 69: Appalachia (1902)
    • reduced score arranged by Edward J. Dent, 1942; manuscript: GB-Lbl.
    • arranged for four-part mixed chorus and piano by Benjamin Suchoff, published in Frederick Delius, Three Choral Arrangements for Mixed Choir: London: Thames Publishing, 1994.
    • reduced choral score for use with Dent’s reduced orchestration arranged by Eric Fenby, 1975, unpublished.
  • DCW 71: A Mass of Life
    • arranged with reduced wind by Eric Fenby, 1980; unpublished.
    • Paraphrase for violin and piano by John Barbirolli; manuscript: Royal Northern College of Music, Manchester; unpublished.
    • Three Fragments, arranged for cello and piano by Robert Threlfall; unpublished.
  • DCW 73: The Song of the High Hills
    • arranged for piano solo by Philip Heseltine; manuscript: GB-Lbl; unpublished.
    • arranged for two pianos by Percy Grainger; manuscript copies: GB-Lbl, Grainger Museum, Melbourne, MG 4/10 and Percy Grainger Library Society, White Plains, New York; unpublished.
  • DCW 81: ‘To be Sung of a Summer Night on the Water’
    • arranged for string orchestra by Herbert Withers; arrangement rejected by Delius (see RT.1986, 51); manuscript: GB-Lbl.
    • arranged for string orchestra by Eric Fenby as Two Aquarelles, 1932; manuscript: GB-Lbl; published: London: Hawkes & Son, 1938.
    • Two Aquarelles, arranged for organ by Dom Gregory Murray; published: London: Winthrop Rogers, 1938.
    • Two Aquarelles, arranged for piano by Eric Fenby; published: London: Thames Publishing, 1994.
  • DCW 89: ‘Wiegenlied’
    • arranged for voice and orchestra, arranger unknown; manuscript: Delius Trust; unpublished.
  • DCW 90: ‘Auf der Reise zur Heimat’
    • arranged for voice and orchestra by R. Sondheimer; manuscript: Delius Trust; unpublished.
  • DCW 91: ‘Abendstimmung’
    • Twilight Fancies, arranged for voice and orchestra by Vaughan Allin; manuscript: GB-Lbl; unpublished.
    • arranged for voice and orchestra by Thomas Beecham; manuscript: Delius Trust; unpublished.
  • DCW 92: ‘Kleine Venevil’
    • arranged for voice and orchestra by Thomas Beecham; manuscript: Delius Trust; unpublished.
  • DCW 100: ‘Il pleure dans mon cœur’
    • arranged for voice and orchestra by Philip Heseltine; manuscript: Delius Trust; unpublished.
  • DCW 101: ‘Le ciel est, par-dessus le toit’
    • arranged for voice and orchestra by Philip Heseltine; manuscript: Delius Trust; unpublished.
  • DCW 108: ‘Schwarze Rosen’
    • arranged for voice and orchestra by Norman Del Mar; manuscript: Delius Trust; unpublished; performed 21 November 1946, Central Hall, London, voice: Marjorie Thomas.
  • DCW 109: ‘The Nightingale has a Lyre of Gold’
    • arranged for voice and orchestra by Norman Del Mar; performed 21 November 1946, Central Hall, London, voice: John Kentish.
  • DCW 110: ‘La Lune Blanche’
    • arranged for voice and orchestra by Philip Heseltine; manuscript: Delius Trust; unpublished.
  • DCW 116: ‘So white, so soft, so sweet is she’
    • arranged for voice and orchestra by Philip Heseltine (1926); manuscript: GB-Lbl MS Mus. 1810; unpublished.
    • arranged for voice and strings by Thomas Beecham; manuscript: Delius Trust; unpublished.
  • DCW 117: ‘Spring, the sweet Spring’
    • arranged for voice and orchestra by Constant Lambert (1926); unpublished.
  • DCW 118: ‘To Daffodils’
    • arranged for voice and orchestra by, respectively, Thomas Beecham, Norman del Mar; Eric Fenby; manuscripts: Delius Trust; unpublished.