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                <title xml:id="title_af6915a2" xml:lang="en">Prelude and Idyll</title>
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                    <persName role="author" xml:id="persName_e1192dc7">Walt Whitman</persName>
                    <persName role="author" xml:id="persName_aab4994d">Robert Nichols</persName>
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                            <date isodate="1933-10-03" xml:id="date_8d26729a">3 October 1933</date>
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                            <persName role="conductor" xml:id="persName_47bace91">Henry Wood</persName>
                            <persName role="performer" xml:id="persName_eed75f99">Dora Labette (soprano)</persName>
                            <persName role="performer" xml:id="persName_05af57c3">Roy Henderson (baritone)</persName>
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                        <p>According to Fenby's prefatory remarks to the Collected Edition, this work originated in Delius's desire to see the music of the one-act opera <rend fontstyle="italic">Margot la Rouge</rend> performed. Putting the neglect down to the libretto, he asked Robert Nichols to provide a new one, but this idea did not come to fruition. Instead, inspired by the prelude to the opera, Nichols eventually selected words from a number of poems from Whitman's <rend fontstyle="italic">Leaves of Grass</rend>, while Fenby assisted Delius in making selections and adaptations of the vocal score of <rend fontstyle="italic">Margot la Rouge</rend> to fit the new composite text. The first performance in 1933 consisted of the <rend fontstyle="italic">Idyll</rend> only. Afterwards, Delius favoured the retention of the original operatic prelude to the work, and it is in this form that the work appears in the Collected Edition. </p>
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                                <p xml:id="p_dcb96188" xml:lang="en">'Once I passed through the populous city'</p>
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                        <p>Music and English text by Eric Fenby in black ink, with German text by Jelka Delius added in red ink. Entitled 'Idyl' (<rend fontstyle="italic">sic</rend>). Bearing some performance markings by Beecham in blue pencil. Used as the publisher's <rend fontstyle="italic">Stichvorlage</rend>. </p>
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                        <p>Full score, music and text in black ink in Fenby's hand, marked by Beecham throughout in blue pencil. Used as the publisher's <rend fontstyle="italic">Stichvorlage</rend>. The first page of the 'Prelude' section bears the date '1901', because of its origin as the prelude to <rend fontstyle="italic">Margot la Rouge</rend>. </p>
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                    <publisher xml:id="publisher_c03f17ef">Boosey &amp; Hawkes</publisher>
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                        <p>Fenby's vocal score, English and German words. </p>
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                    <title xml:id="title_e75f4b94">Collected Edition</title>
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                        <persName role="editor" xml:id="persName_141a0cb8">Thomas Beecham and Eric Fenby</persName>
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                    <publisher xml:id="publisher_bb3f32ee">Boosey &amp; Hawkes</publisher>
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                        <p>Constituting vol. 13b of the Collected Edition and following a 1976 study score produced by the same publisher. English and German words. </p>
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