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Delius Catalogue of Works DCW MerMEId

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 3 I/4 3 Koanga Lyric Drama in 3 Acts with Prologue and Epilogue Frederick Delius C.F. Keary Between 1895 and 1897 30 May 1899 St. James's Hall London Alfred Hertz Andrew Black (Koanga) Ella Russell (Palmyra)

This performance consisted of excerpts only as part of a Delius Orchestral Concert.

Reviews article journal <title level="j" xml:id="title_6ab30079"/> <editor xml:id="editor_2c23db9b"/> <biblScope unit="vol" xml:id="biblScope_fabece65"/> <biblScope unit="issue" xml:id="biblScope_545da965"/> <biblScope unit="page" xml:id="biblScope_2c292d9e"/> <pubPlace xml:id="pubPlace_af4f7eea"/> <publisher xml:id="publisher_dcf8e829"/> <ptr label="" xml:id="ptr_N207E8"/> </bibl> </biblList> <biblList xml:id="biblList_35aa55d6"> <head xml:id="head_29db1565">Evidence</head> </biblList> </event> <event xml:id="event_583d252b"> <date isodate="1904-03-30" xml:id="date_9d8c3977">30 March 1904</date> <geogName role="venue" xml:id="geogName_74ad994f">Stadttheater</geogName> <geogName role="place" xml:id="geogName_5c25ddfe">Elberfeld</geogName> <corpName role="ensemble" xml:id="corpName_83960d88"/> <persName role="conductor" xml:id="persName_6935abf0">Fritz Cassirer</persName> <persName role="producer" xml:id="persName_1ab6b760">Jacques Goldberg</persName> <persName role="director" xml:id="persName_c32bca8a">Hans Gregor</persName> <persName role="singer" xml:id="persName_d28f5f91">Clarence Whitehill (Koanga)</persName> <persName role="singer" xml:id="persName_1b05952d">Rose Kaiser (Palmyra)</persName> <persName role="singer" xml:id="persName_fc1b5fce">Georg Förster (Perez)</persName> <persName role="singer" xml:id="persName_3531ab95">Max Birkholz (Don José)</persName> <p>This performance (succeeded by two repeat performances) was the first production of the opera, to a German translation of Keary's libretto by Jelka Delius.</p> <biblList xml:id="biblList_74a6f723"> <head xml:id="head_6194299c">Reviews</head> <bibl label="" xml:id="bibl_2d125128"> <genre xml:id="genre_bd43a63b">article</genre> <genre xml:id="genre_0fa41632">journal</genre> <author xml:id="author_31439b7a"/> <date xml:id="date_ff858366"/> <title level="a" xml:id="title_e7f50b34"/> <title level="j" xml:id="title_5d43adb9"/> <editor xml:id="editor_59f283d1"/> <biblScope unit="vol" xml:id="biblScope_365c5dc1"/> <biblScope unit="issue" xml:id="biblScope_378326bf"/> <biblScope unit="page" xml:id="biblScope_57af7565"/> <pubPlace xml:id="pubPlace_aec2dc47"/> <publisher xml:id="publisher_f3245486"/> <ptr label="" xml:id="ptr_N20837"/> </bibl> </biblList> <biblList xml:id="biblList_86e9dd4b"> <head xml:id="head_f5ccbeef">Evidence</head> </biblList> </event> <event xml:id="event_3aad9619"> <date isodate="1935-09-23" xml:id="date_3c3583d9">23 September 1935</date> <geogName role="venue" xml:id="geogName_a9e58fd5">Royal Opera House</geogName> <geogName role="place" xml:id="geogName_a22d05b7">London</geogName> <corpName role="ensemble" xml:id="corpName_2d0cad80">London Philharmonic Orchestra</corpName> <persName role="conductor" xml:id="persName_1afe105c">Thomas Beecham</persName> <persName role="singer" xml:id="persName_17f01edb">John Brownlee (Koanga)</persName> <persName role="singer" xml:id="persName_bbf4af94">Oda Slobodskaya (Palmyra)</persName> <persName role="singer" xml:id="persName_a6313488">Frank Sale (Perez)</persName> <persName role="singer" xml:id="persName_1d9796b2">Leyland White (Don José)</persName> <p/> <biblList xml:id="biblList_b119ec78"> <head xml:id="head_7509380b">Reviews</head> <bibl label="" xml:id="bibl_91ef1bcf"> <genre xml:id="genre_aa9f349d">article</genre> <genre xml:id="genre_d45da3b7">journal</genre> <author xml:id="author_3e33f58c"/> <date xml:id="date_d2fad129"/> <title level="a" xml:id="title_05d99885"/> <title level="j" xml:id="title_97c3c646"/> <editor xml:id="editor_2c938b9b"/> <biblScope unit="vol" xml:id="biblScope_eae24cbd"/> <biblScope unit="issue" xml:id="biblScope_900ef06b"/> <biblScope unit="page" xml:id="biblScope_21515a86"/> <pubPlace xml:id="pubPlace_a5b2bbb0"/> <publisher xml:id="publisher_31369dbc"/> <ptr label="" xml:id="ptr_N2087E"/> </bibl> </biblList> <biblList xml:id="biblList_16cd6c4c"> <head xml:id="head_4fd9f2ee">Evidence</head> </biblList> </event> <event xml:id="event_02400cb5"> <date enddate="1970-12-21" startdate="1970-12-18" xml:id="date_20fdd277">18-21 December 1970</date> <geogName role="venue" xml:id="geogName_6a78fab8">Lisner Auditorium</geogName> <geogName role="place" xml:id="geogName_f83a9670">Washington DC</geogName> <corpName role="ensemble" xml:id="corpName_78c0d4af">Opera Society of Washington Inc.</corpName> <persName role="conductor" xml:id="persName_0d6fe652">Paul Callaway</persName> <persName role="director" xml:id="persName_7bb5f54c">Frank Corsaro</persName> <p/> <biblList xml:id="biblList_3b8b2404"> <head xml:id="head_19c6ed6a">Reviews</head> <bibl label="" xml:id="bibl_d6897160"> <genre xml:id="genre_aa5280fd">article</genre> <genre xml:id="genre_90e64ccf">journal</genre> <author xml:id="author_d62dd6e7"/> <date xml:id="date_a46ae736"/> <title level="a" xml:id="title_b06fa7a0"/> <title level="j" xml:id="title_7de8b2ed"/> <editor xml:id="editor_919128f3"/> <biblScope unit="vol" xml:id="biblScope_63c89228"/> <biblScope unit="issue" xml:id="biblScope_a001a065"/> <biblScope unit="page" xml:id="biblScope_cf1575ab"/> <pubPlace xml:id="pubPlace_a1c0ff67"/> <publisher xml:id="publisher_5d8aef53"/> <ptr label="" xml:id="ptr_N208BA"/> </bibl> </biblList> <biblList xml:id="biblList_d3c7ad20"> <head xml:id="head_c02b3079">Evidence</head> </biblList> </event> <event xml:id="event_18bc2df9"> <date isodate="1972-05-17" xml:id="date_a4d7de8b">17 May 1972</date> <geogName role="venue" xml:id="geogName_46179437">Sadler's Wells</geogName> <geogName role="place" xml:id="geogName_72fb5720">London</geogName> <corpName role="ensemble" xml:id="corpName_cffc8432"/> <persName role="conductor" xml:id="persName_48c6a646">Sir Charles Groves</persName> <p/> <biblList xml:id="biblList_34806a11"> <head xml:id="head_e46db00d">Reviews</head> <bibl label="" xml:id="bibl_832e3f3c"> <genre xml:id="genre_84305576">article</genre> <genre xml:id="genre_9e72f6c7">journal</genre> <author xml:id="author_3f05045f"/> <date xml:id="date_d225844e"/> <title level="a" xml:id="title_319ed1e4"/> <title level="j" xml:id="title_f60ba308"/> <editor xml:id="editor_29fc0462"/> <biblScope unit="vol" xml:id="biblScope_b3faeb34"/> <biblScope unit="issue" xml:id="biblScope_89dfd0dc"/> <biblScope unit="page" xml:id="biblScope_e9d37d83"/> <pubPlace xml:id="pubPlace_39210122"/> <publisher xml:id="publisher_8ceebb53"/> <ptr label="" xml:id="ptr_N208F0"/> </bibl> </biblList> <biblList xml:id="biblList_f304e1c0"> <head xml:id="head_57a84c02">Evidence</head> </biblList> </event> </eventList> <p/> </history> <langUsage xml:id="langUsage_14364924"> <language xml:id="en">English</language> </langUsage> <biblList xml:id="biblList_1108N2077D"> <head xml:id="head_4e8fca9a">Documents</head> <bibl label="" xml:id="bibl_6d144b2e"> <genre xml:id="genre_47f6ac07">letter</genre> <author xml:id="author_df2058f0"/> <recipient xml:id="recipient_25dbc910">Jutta Bell</recipient> <creation xml:id="creation_b4e428ad"> <date isodate="1894-07-29" xml:id="date_41de4c29">29 July 1894</date> <geogName xml:id="geogName_3e5ad46c"/> </creation> <physLoc xml:id="physLoc_041e0518"> <repository xml:id="repository_5cc0fc4f"> <corpName xml:id="corpName_966N2070E"/> <identifier auth.uri="" auth="" xml:id="identifier_aa0eaa13"/> <ptr label="" xml:id="ptr_N20914"/> </repository> <identifier xml:id="identifier_90ef2e08"/> </physLoc> <annot xml:id="annot_6030f5f1"/> <ptr label="" xml:id="ptr_N20918"/> <relatedItem rel="host" xml:id="relatedItem_a3ced88d"> <bibl label="" xml:id="bibl_1108N2079E"> <title xml:id="title_82cd03e3">LC I 88-9 letter Jutta Bell 9 February 1896 LC I 98 letter Jutta Bell 25 February 1896 LC I 99 letter Jutta Bell 15 July 1896 LC I 108-9 Bibliography book George Washington Cable The Grandissimes: A Story of Creole Life <editor xml:id="editor_9ed5ecb0"/> <biblScope unit="vol" xml:id="biblScope_a6250215"/> <biblScope unit="issue" xml:id="biblScope_8f453fe4"/> <biblScope unit="page" xml:id="biblScope_087371f6"/> <imprint xml:id="imprint_2cbe59dc"> <date isodate="1880" xml:id="date_e4f032fc">1880</date> <pubPlace xml:id="pubPlace_d2e42429">New York</pubPlace> <publisher xml:id="publisher_eeabc961">C. Scribner's </publisher> </imprint> <ptr label="" xml:id="ptr_N209AF"/> </bibl> <bibl label="" xml:id="bibl_423a8ff8"> <genre xml:id="genre_7c93771c">article</genre> <genre xml:id="genre_4ba32054">book</genre> <author xml:id="author_5c097729">Eric Saylor</author> <title level="a" xml:id="title_93b604f4">Race, "Realism," and Fate in Frederick Delius's Koanga Blackness in Opera <editor xml:id="editor_56a53f13">Naomi André</editor> <editor xml:id="editor_b6057fb3">Karen M. Bryan</editor> <editor xml:id="editor_893edff1">Eric Saylor</editor> <biblScope unit="vol" xml:id="biblScope_cad96903"/> <biblScope unit="issue" xml:id="biblScope_841f767e"/> <biblScope unit="page" xml:id="biblScope_9b50343e"/> <imprint xml:id="imprint_3851884c"> <date isodate="2012" xml:id="date_d0b99a9d">2012</date> <pubPlace xml:id="pubPlace_e381aa8b">Urbana</pubPlace> <publisher xml:id="publisher_489846e1">University of Illinois</publisher> </imprint> <ptr label="" xml:id="ptr_N209D6"/> </bibl> </biblList> <notesStmt xml:id="notesStmt_3b6694c5"> <annot label="" type="links" xml:id="annot_3e762fef"> <ptr label="External description" mimetype="" xml:id="ptr_b8652425"/> </annot> <annot label="" type="general_description" xml:id="annot_d5fd880b"> <p> <rend fontstyle="italic">Koanga</rend> has a complex history of revision, performance, and arrangement. The opera is set on a Louisiana plantation during the second half of the 18th century, and is based on an episode from George Washington Cable's <rend fontstyle="italic">The Grandissimes: A Story of Creole Life</rend> (1880). There is some indication that Delius began writing the libretto himself, but had it rewritten by C.F. Keary (RT, 29-30). Keary's version has only been heard in excerpts. The 1904 premiere of the opera in Elberfeld featured Jelka Delius's translation. For Beecham's 1935 performance, Jelka retranslated her German libretto into English with the help of Beecham and Edward Agate (Saylor, 83). In 1972, the libretto was revised again by Douglas Craig and Andrew Page, with the help of Eric Fenby, for a new performance at Sadler's Wells. The work has been subjected to numerous arrangements by others, most famously Eric Fenby's <rend fontstyle="italic">La Calinda</rend> for orchestra. These are listed in the Appendix.</p> </annot> </notesStmt> <classification xml:id="classification_07640ef7"> <termList xml:id="termList_26ba7479"> <term xml:id="term_8d2f33ff">Stage music</term> <term xml:id="term_2e4eb03d">Opera</term> </termList> </classification> <expressionList xml:id="expressionList_c02a15b1"> <expression xml:id="expression_idb802a2ef"> <title xml:id="title_idbbffbdd7" xml:lang="en"/> <incip xml:id="incip_ide13b1586"/> <creation xml:id="creation_id267897c1"> <date xml:id="date_bc1dc494"/> <geogName xml:id="geogName_id5f212f8b"/> </creation> <history xml:id="history_id651d6091"> <p/> </history> <perfMedium analog="marc:048" auth="" xml:id="perfMedium_id61b52ade"> <castList xml:id="castList_e2d67ef5"> <castItem xml:id="castItem_8606c147"> <instrVoice code="vf" solo="true" xml:id="instrVoice_419a7060">B.</instrVoice> <role xml:id="role_1290a007"> <name xml:id="name_0ed1a7c9" xml:lang="en">Don José Martinez</name> </role> <roleDesc xml:id="roleDesc_54096ab6" xml:lang="en">a planter</roleDesc> </castItem> <castItem xml:id="castItem_1d501e0b"> <instrVoice code="vd" solo="true" xml:id="instrVoice_1accf2ca">T.</instrVoice> <role xml:id="role_73bfc201"> <name xml:id="name_8e9420ad" xml:lang="en">Simon Perez</name> </role> <roleDesc xml:id="roleDesc_d43810ad" xml:lang="en">Don José's overseer</roleDesc> </castItem> <castItem xml:id="castItem_76e99be0"> <instrVoice code="ve" solo="true" xml:id="instrVoice_8f755611">Bar.</instrVoice> <role xml:id="role_df8f668b"> <name xml:id="name_0f6ccea2" xml:lang="en">Koanga</name> </role> <roleDesc xml:id="roleDesc_6f701a0f" xml:lang="en">an African prince and Voodoo priest</roleDesc> </castItem> <castItem xml:id="castItem_84041e61"> <instrVoice code="vf" solo="true" xml:id="instrVoice_48a1d8c4">B.</instrVoice> <role xml:id="role_a0ba565d"> <name xml:id="name_0f15fc4d" xml:lang="en">Rangwan</name> </role> <roleDesc xml:id="roleDesc_1b51b32b" xml:lang="en">a Voodoo priest</roleDesc> </castItem> <castItem xml:id="castItem_18f6e759"> <instrVoice code="va" solo="true" xml:id="instrVoice_76db0be6">S.</instrVoice> <role xml:id="role_ea33c64a"> <name xml:id="name_b21fdadc" xml:lang="en">Palmyra</name> </role> <roleDesc xml:id="roleDesc_3da1846e" xml:lang="en">a quadroon, half-sister to Clotilda</roleDesc> </castItem> <castItem xml:id="castItem_6dd51e9a"> <instrVoice code="vc" solo="true" xml:id="instrVoice_0b460869">Contralto</instrVoice> <role xml:id="role_c3adc71c"> <name xml:id="name_5f3638d9" xml:lang="en">Clotilda</name> </role> <roleDesc xml:id="roleDesc_8d475301" xml:lang="en">wife to Don José Martinez</roleDesc> </castItem> <castItem xml:id="castItem_bf3f18a7"> <instrVoice code="vf" solo="true" xml:id="instrVoice_c46c9432">B.</instrVoice> <role xml:id="role_79f1c611"> <name xml:id="name_479b361b" xml:lang="en">Uncle Joe</name> </role> <roleDesc xml:id="roleDesc_cc758fff" xml:lang="en">an old slave</roleDesc> </castItem> <castItem xml:id="castItem_df9772ed"> <instrVoice code="va" xml:id="instrVoice_eca28a24">S.</instrVoice> <role xml:id="role_5be81fd3"> <name xml:id="name_df1dbe6b" xml:lang="en">Renée, Hélène, Jeanne, Marie</name> </role> <roleDesc xml:id="roleDesc_8216b8e0" xml:lang="en">Planters' daughters</roleDesc> </castItem> <castItem xml:id="castItem_ac07fc46"> <instrVoice code="vc" xml:id="instrVoice_2089d252">Contraltos</instrVoice> <role xml:id="role_49854722"> <name xml:id="name_871eb6e4" xml:lang="en">Aurore, Hortense, Olive, Paulette</name> </role> <roleDesc xml:id="roleDesc_38009732" xml:lang="en">Planters' daughters</roleDesc> </castItem> <castItem xml:id="castItem_3b07c37d"> <instrVoice xml:id="instrVoice_4587b1c6"/> <role xml:id="role_0d9920ad"> <name xml:id="name_d71f8891" xml:lang="en">Negro slaves, Creole dancers, Servants</name> </role> <roleDesc xml:id="roleDesc_aa081ec0" xml:lang="en"/> </castItem> </castList> <instrumentation xml:id="instrumentation_7c234798"> <instrVoiceGrp code="oa" xml:id="instrVoiceGrp_a3955b32"> <head xml:id="head_1eab1c06">Orchestra</head> <instrVoice code="wa" count="3" xml:id="instrVoice_ab334dc7">fl. (inc. picc.)</instrVoice> <instrVoice code="wb" count="2" xml:id="instrVoice_7e4fc941">ob.</instrVoice> <instrVoice code="wf" count="1" solo="false" xml:id="instrVoice_de685260">cor.ingl.</instrVoice> <instrVoice code="wc" count="2" xml:id="instrVoice_ad1efc30">cl.</instrVoice> <instrVoice code="wg" count="1" solo="false" xml:id="instrVoice_06827580">cl.b.</instrVoice> <instrVoice code="wd" count="3" xml:id="instrVoice_25258ad7">fg.</instrVoice> <instrVoice code="wz" count="1" solo="false" xml:id="instrVoice_627ed4f7">cfg.</instrVoice> <instrVoice code="ba" count="4" xml:id="instrVoice_13e68610">cor.</instrVoice> <instrVoice code="bb" count="2" xml:id="instrVoice_2b253cf3">tr.</instrVoice> <instrVoice code="bd" count="3" xml:id="instrVoice_3e282b53">trb.</instrVoice> <instrVoice code="be" count="1" xml:id="instrVoice_49b3104b">tb.</instrVoice> <instrVoice code="pa" xml:id="instrVoice_7f6d15a7">timp.</instrVoice> <instrVoice code="jk" count="1" solo="false" xml:id="instrVoice_5a119844">gr.c.</instrVoice> <instrVoice code="pz" solo="false" xml:id="instrVoice_bfa7d01c">cym.</instrVoice> <instrVoice code="pz" count="1" solo="false" xml:id="instrVoice_572228ee">trgl.</instrVoice> <instrVoice code="pz" count="1" solo="false" xml:id="instrVoice_1e4b164a">tam.</instrVoice> <instrVoice code="jl" count="1" solo="false" xml:id="instrVoice_14abb891">s.dr.</instrVoice> <instrVoice code="jj" count="1" solo="false" xml:id="instrVoice_9725bf92">tambo.</instrVoice> <instrVoice code="jb" count="1" solo="false" xml:id="instrVoice_c9a54327">glsp.</instrVoice> <instrVoice code="ta" count="2" solo="false" xml:id="instrVoice_004535df">arp.</instrVoice> <instrVoice code="tz" solo="false" xml:id="instrVoice_b2a4bc42">banjos</instrVoice> <instrVoice code="sn" xml:id="instrVoice_0d805aa7">str.</instrVoice> <instrVoice code="wz" count="1" solo="false" xml:id="instrVoice_d05b1dd5">cow horn (off-stage)</instrVoice> </instrVoiceGrp> </instrumentation> </perfMedium> <classification xml:id="classification_9c3848d3"> <termList xml:id="termList_8b02497d"> <term xml:id="term_5867a07f"/> </termList> </classification> <relationList xml:id="relationList_9c72f003"/> </expression> </expressionList> <relationList xml:id="relationList_9be48029"> <relation label="Is related to: Florida" rel="isTransformationOf" target="delius_florida.xml" xml:id="relation_8b85a791"/> <relation label="Is related to: The Magic Fountain" rel="isRealizationOf" target="delius_magicfountain.xml" xml:id="relation_6f38062a"/> </relationList> </work> </workList> <manifestationList xmlns:m="http://www.music-encoding.org/ns/mei" xml:id="sourceDesc_9f3c356d"> <manifestation label="" xml:id="source_269ce45d"> <identifier label="" xml:id="identifier_d84ad442"/> <titleStmt xml:id="titleStmt_d14fcb64"> <title xml:id="title_49cc365f">Miscellaneous material C.F. Keary notated music manuscript partly autograph sketch Frederick Delius British Library London GB-Lbl MS Mus. 1745/2/7 This item contains (i) the remainder of the draft libretto for Act II contained in British Library MS Mus. 1645/1/39 (ii) various sketch sheets for the opera in ink and pencil (iii) drafts for Act I in vocal score (iv) a prompter's vocal score from the 1904 premiere. Notes and sketches C.F. Keary 2 notated music manuscript autograph short score sketch Frederick Delius C.F. Keary Eric Fenby British Library London GB-Lbl MS Mus. 1745/1/39 This item contains (i) notes in the hand of C.F. Keary for the libretto of Koanga and (ii) brief sketches entitled 'Palmyra's Dance' and 'He will meet her when the sun goes down'. Notes 24 notated music manuscript autograph sketch British Library London GB-Lbl MS Mus. 1745/2/11/3 This source is a notebook containing notes and sketches for 'Calinda dance' and the beginning of Act III, among other sketches. Autograph full score Frederick Delius Carl S. Swisher Library, Jacksonville University, Florida, USA

According to RT.1986, the autograph contains the German translation in red ink added by Jelka Delius, and with conductor's markings in blue pencil (presumably by Fritz Cassirer).

 La Calinda (1887) Eric Fenby This source is Fenby's copy of 'La Calinda', the second section of the first movement of Florida, dated 1887, which would later be used by Delius in Koanga. This source is distinct from Fenby's more famous later arrangement of La Calinda, described in the Appendix. notated music manuscript copy score fair copy Eric Fenby British Library London GB-Lbl MS Mus. 1745/3/6 Florent Schmitt's vocal score Florent Schmitt c. 1897 notated music vocal score

This manuscript has no title page, but Jelka Delius has headed the first page of score: 'Koanga/Opera by Frederick Delius/Piano Score by Florent Schmitt'. The score consists of a piano part by Schmitt, voice parts and English text by Delius, and German words in Jelka Delius's hand.

 Frederick Delius Florent Schmitt Jelka Delius British Library London GB-Lbl MS Mus. 1745/3/3

Delius Trust, London MS Mus. 1745/1/46 This manuscript is identified by RL and RT as the work of an unidentified 'Paris copyist'. There are alterations and corrections in various hands, and English stage directions in Delius's own hand. While it is catalogued by the British Library as part of Jelka Delius's original bequest to the Delius Trust, this volume is currently retained by the Trust.

Eric Fenby's vocal score Eric Fenby notated music manuscript copy vocal score printer's copy complete Eric Fenby Jelka Delius British Library London GB-Lbl MS Mus. 1745/3/4 This item consists of (i) two versions of the libretto in English: a typescript of C.F. Keary's original with additions by Jelka Delius to reflect alterations made for the 1904 production, and the revised version used for the 1935 production (ii) Fenby's vocal score prepared for Beecham's 1935 production and (iii) chorus parts for that production. Full score Eric Fenby 3 Fenby originally began preparing this copy from the parts at Grez-sur-Loing in 1928-9, but completed his work based on the rediscovered autograph score. This score was used by Sir Thomas Beecham for his 1935 production of the opera, and contains his dynamics markings throughout. It also became the publisher's Stichvorlage. notated music manuscript copy score complete Eric Fenby Thomas Beecham British Library London GB-Lbl MS Mus. 1745/3/5 Vocal score C. F. Keary Eric Fenby Sir Thomas Beecham Edward Agate Jelka Delius Winthrop Rogers London 1935 notated music print vocal score first edition complete Vocal score, revised edition Eric Fenby Douglas Craig Andrew Page Boosey & Hawkes London 1974 Douglas Craig and Andrew Page's revised libretto was initially prepared for a revival of the opera at Sadler's Wells Theatre, London, 17 May 1972. notated music print vocal score complete Study score Thomas Beecham Eric Fenby Douglas Craig Andrew Page Boosey & Hawkes London 1980 Threlfall's introduction to the collected edition volume for Koanga indicates that this study score, based on Fenby's copy of the full score, incorporates Beecham's editing and the revised libretto. notated music print score complete Published full score Thomas Beecham Eric Fenby Boosey & Hawkes [S.I.] 1991 This volume of the Collected Edition is a reissue of the 1980 study score. notated music print score complete

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